This opposing motion will allow you to use your hands more efficiently and play with a great overall sense of ease This means that the pull-off finger has less work to do. Pushing the back finger compensates for any string movement arising from the pull off, and keep the string stable. Push with the back finger while pulling with the upper finger. Tip Two: Decrease the Finger/String Angle Correct placement, just behind the fret, means less force needed. Of course you won’t use the entire range of movement available, but even a small amount will allow the larger muscle groups to help out the smaller finger muscles.Īnd the better your aim, the louder hammer-on you get with the least effort. With practice, you can make this movement very quickly and powerfully. Flip palm up to palm down for the general motion for pull-offs.Īllow the larger muscle groups to help out the smaller finger muscles. This is the general motion for hammer-ons. This means twisting your arm in the “turn the doorknob” movement.Īs another example, hold your left hand in front of you, palm down. Usually, this requires us to lift one finger and slam it down, hoping for both accurate placement and enough force to sound the note.īut you can also rotate your forearm to create velocity and power. To perform a hammer-on, one finger is holding down a string on a fret, and another finger sounds a second note by “hammering” onto a higher fret. Pull-offs require movements and control that we don’t require in every-day life.īut there are a few tweaks you can make to improve your slurs, and have new experiences in your hands. Hammer-ons take accurate aim and a directed muscle movement. We don’t yet have the finger independence and accuracy we need to play them well. When we first learn slur technique, they are strenuous and awkward. At any ability level, we can use slurs as a high-leverage technique exercise. They allow us to potentially play scale passages and ornaments (trills, etc.) more quickly and smoothly than we otherwise would.Īs an exercise, hammer-ons and pull-offs build strength, stretch, and finger independence. In music, they allow us to inflect the music in a vocal-like way. Slurs, also known as “hammer-ons” and “pull-offs”, are both an effective exercise for the hands, and a common musical technique in classical guitar pieces.
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